Take five black and white photographs of two or more unrelated objects or people. What I want you to do is carefully consider the way in which you frame and compose things within the photographic ‘window’ to create a relationship that was not previously there.
My response:
I developed and printed these photographs in the black room, trying out various effects until I got the ones I was happy with. Some were under exposed or over exposed, so it was a case of trial and error.
I like the symmetry inherent in the order of the series: horse, cats, ducks, cats, horse.
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